Panorama Steelband Competition
In 1963, the government of Trinidad and Tobago in conjunction with the National Association of Trinidad and Tobago Steelbandsmen (NATTS) launched a new steelband competition called Panorama.
The preliminary round of the competition was judged while the bands were in motion. The instruments were hung on racks and pushed past the judges while the panmen played an arrangement of a current calypso. However, the final round of competition was judged while the bands were stationary and positioned directly in front of the judges.
Crowds of supporters religiously followed their favorite Panorama band every year. Corporate sponsors seized this excellent publicity opportunity and began to pump money into steelbands. Sponsorship money meant the steelbands could now offer reasonable compensation to their arrangers and pan players.
Sponsorship also allowed the bands to purchase more equipment. Larger bands had a competitive edge as they could produce a more powerful and impressive sound. Steelbands grew larger and larger and by the late 1960’s steelbands were entering Panorama with 100 members.
Panorama also demanded a new approach to arranging calypsos. The arrangements done previously for fetes and street parades were now too simple for the competition. Complex introductions and key modulations began to be used in the arrangements, and this is still a key feature of Panorama music today.
There is also a Junior Panorama for school age children that is just as competitive as the senior competition. It is seen as an important training ground for the adult Panorama competition and for the steelband movement on a whole.
Panorama type competitions are now held all over the English speaking Caribbean, the USA, and in some European and Asian countries. They are planned by local steelband organizations and the structure and adjudication are usually based on Trinidad Panorama.
However, the Trinidad and Tobago Panorama Competition remains the pre-eminent steelband competition in the world.